While many people's living rooms look like a collection room at the Salvation Army, there are in fact reasons behind making living room furniture a collective design element, rather than a random showing of furniture.
The way that one sculpts pieces of clay into one static sculpture is the way we should look at living room furniture in terms of decorating. There are many reasons why living room furniture should be thought of in terms of sets, or relations to other pieces of furniture, none more obvious than the simple look of it.
When you have a bunch of furniture packed into a room, and if any, or all of it comes from a different location than the rest, the room is bound to look cluttered, and unorganized. Instead when it comes to living room furniture, make sure to buy in sets, or at least coordinate the colors of your living room furniture before installing them in the living room.
For those without an eye for design, or those that simply aren't interested in spending their time dealing with this issue, here are a few tips.
1) Always buy furniture that will last, like leather, and stay away from cheap furniture at all costs. Chances are if a furniture piece is cheap, you will get what you pay for, and it will break. If it breaks, the chance of you going back to find the exact shade of color that the furniture was is slim, to none. Thus, you will end up buying a replacement that most certainly won't match the rest of the set. Avoid this by purchasing only high quality furniture that has a warranty for replacement in case it breaks.
2) Another tip is to purchase neutral colors when it comes to your big ticket items like sofas, and easy chairs. Colors like beige, brown, and chestnut are easier to match to, than white, red, and yellow. The more toned down the furniture is in terms of color, the better off you will be to match the living room furniture with one, and other.
3) Finally always be sure to use living room furniture that comes in sets. If you purchase living room furniture set, typically a sofa, love seat, lounge chair, ottoman, and end table, you will be allowing the furniture company to do all the design, and matching for you. By purchasing in sets you don't have to worry about matching, since the furniture is made by the same company, in most likely the same color.
Read More...
Tuesday, September 2, 2008
Monday, August 18, 2008
American Indian Art Auctions: Beadwork
The artworks made by the American Indian incorporate numerous varieties of arts and crafts. The diversity of the American Indian art ranges from the traditional beadwork, pottery and other conventional Native American art to the fine paintings, sculptures, photography and other sophisticated works. And because of that, there are numerous art auctions, of which are found either online or offline. These art auctions feature almost types of American Indian artworks.
Later on, we will tackle the American Indian artwork that has the most traditional and historical feature, of which, are the beadworks made by the Native Americans. The beadworks made by the native American Indians have rich meanings in terms of symbolisms; these beadworks also are highly decorative and utilitarian.
The process and the beadwork itself is one of the oldest crafts of the Native American Indians. The beadworks are mostly made of stones, bones, shells and other semi precious stones. The some of the beadworks made by the native American Indians that are available these days are made very much the same way as their forefathers had made them. Although few of them are made using today’s modern technology, little has been changed and the process is somewhat the same as the ancient ways.
The most popular American Indian artworks are those made of sea shell materials. These types of beadworks are highly popular. Almost every American Indian beadworks are made from sea shell material, from necklaces to purses to almost everything.
In the old times, the beadworks made by the American Indians were made mostly of the turtle shells and animal horns and hooves. These native American artworks were often used for rattling or tinkling materials that are used for their dances. These artworks were also worn by hunters in a form of necklaces and were mostly made of wolf and bear claws. They serve as trophies of their kills, and serves as a symbol of the hunter’s expertise. While some of the American Indian beadworks are made of steamed bones and seeds. They were often used for stringing and are mostly blended into various forms.
Because of their ever increasing popularity, oriental factories has been replicating, manufacturing and importing beadworks of the Native American Indians. They have been doing it for several decades now. Therefore, has been a competing factor in the beadwork industry of the American Indian arts. And because of that, the craftsmen in the industry of American Indian art industry are greatly affected, losing a considerable amount of income (millions and millions of dollars) because of the fake native artworks made by these oriental factories.
In terms of string beadworks of the American Indians, they were mostly made of animal sinews that are finely divided and are attached on clothing. Sometimes, sturdy plant fibers were utilized for this reason.
These days, Navajos and some traditional aboriginal American communities still manufacture an ancient type of beadwork that is called the “heishii”. The “heishii” or referred to as “legend necklace” is the most popular type of beadwork, and are used to refer to a legend. Even today, heishii is still used to narrate a legend, with every single bead symbolizing a character.
The craftsmen of today’s American Indian art create designs using the today’s technology, by creating actual beadworks through digital means. Thus, the sophisticated and complex beadworks and its designs can be tested digitally before actually manufacturing the piece. Therefore, adding creative process for the craftsmen.
These American Indian artworks and its components are essential factors of in the field of archaeology. Not only do they survive history, they also provide numerous fascinating tales and stories that most of which are still untold. As a matter of fact, ancient American Indian artworks are found thousands of miles from seas. Of which is an indication of the numerous trade routes and contacts thousands and thousands of years ago by various cultures.
Beadworks crisscross itself through time not just through the history of native American Indians but also in the modern technology of today. The most vital aspect of the American Indian beadwork is the value it represents when it is given among family and friends. Their true meanings are associated with aspirations and essential judgments of a person. Read More...
Later on, we will tackle the American Indian artwork that has the most traditional and historical feature, of which, are the beadworks made by the Native Americans. The beadworks made by the native American Indians have rich meanings in terms of symbolisms; these beadworks also are highly decorative and utilitarian.
The process and the beadwork itself is one of the oldest crafts of the Native American Indians. The beadworks are mostly made of stones, bones, shells and other semi precious stones. The some of the beadworks made by the native American Indians that are available these days are made very much the same way as their forefathers had made them. Although few of them are made using today’s modern technology, little has been changed and the process is somewhat the same as the ancient ways.
The most popular American Indian artworks are those made of sea shell materials. These types of beadworks are highly popular. Almost every American Indian beadworks are made from sea shell material, from necklaces to purses to almost everything.
In the old times, the beadworks made by the American Indians were made mostly of the turtle shells and animal horns and hooves. These native American artworks were often used for rattling or tinkling materials that are used for their dances. These artworks were also worn by hunters in a form of necklaces and were mostly made of wolf and bear claws. They serve as trophies of their kills, and serves as a symbol of the hunter’s expertise. While some of the American Indian beadworks are made of steamed bones and seeds. They were often used for stringing and are mostly blended into various forms.
Because of their ever increasing popularity, oriental factories has been replicating, manufacturing and importing beadworks of the Native American Indians. They have been doing it for several decades now. Therefore, has been a competing factor in the beadwork industry of the American Indian arts. And because of that, the craftsmen in the industry of American Indian art industry are greatly affected, losing a considerable amount of income (millions and millions of dollars) because of the fake native artworks made by these oriental factories.
In terms of string beadworks of the American Indians, they were mostly made of animal sinews that are finely divided and are attached on clothing. Sometimes, sturdy plant fibers were utilized for this reason.
These days, Navajos and some traditional aboriginal American communities still manufacture an ancient type of beadwork that is called the “heishii”. The “heishii” or referred to as “legend necklace” is the most popular type of beadwork, and are used to refer to a legend. Even today, heishii is still used to narrate a legend, with every single bead symbolizing a character.
The craftsmen of today’s American Indian art create designs using the today’s technology, by creating actual beadworks through digital means. Thus, the sophisticated and complex beadworks and its designs can be tested digitally before actually manufacturing the piece. Therefore, adding creative process for the craftsmen.
These American Indian artworks and its components are essential factors of in the field of archaeology. Not only do they survive history, they also provide numerous fascinating tales and stories that most of which are still untold. As a matter of fact, ancient American Indian artworks are found thousands of miles from seas. Of which is an indication of the numerous trade routes and contacts thousands and thousands of years ago by various cultures.
Beadworks crisscross itself through time not just through the history of native American Indians but also in the modern technology of today. The most vital aspect of the American Indian beadwork is the value it represents when it is given among family and friends. Their true meanings are associated with aspirations and essential judgments of a person. Read More...
An Approach To Sell Comics
Creators can sell comics as the usual 24 pages book or as a graphic novel 60 to 200 plus pages. When one wants to sell comics as the 24 page book, the comic book would have to come as a series of separate issues. In this way it may be cheaper to produce. You can have a series with 5 issues that come out in different periods of the year. The revenue made from issue #1 can be used to cover the expenses for issue #2. In my opinion this is probably the best way for inexperienced comic book creators to start.
However, if a creator thinks that making a graphic novel is more convenient for him/her to start with, you can go for it under two conditions. You have the funds and a marketing plan. I say this because the marketing is the most strenuous part any creator experiences when producing a product. These days publishing your comic book doesn't have to take fifty dollars out of your pocket if you do the writing and drawing yourself. This method is known as publishing on demand. For first time comic book creators, the difficulty of marketing your comic book can be ten times multiplied.
Creators who successfully sell comics they created are usually those who have experience and background in the producing of comics. It would be easy for someone who is known for working on titles like X-men or Spiderman to come out of Marvel and produce his own comic books or sell his comics. This was the case for Todd McFarlane. McFarlane reached star status in Marvel comics. When he came out of Marvel, he was involved with other illustrators in starting Image comics. Once he published his title called Spawn, it became an almost instant hit because of McFarlane’s popularity. The thing is, not everyone who wants to create comics would get the privilege to work for a giant publisher like Marvel Comics, and also not everyone who works for Marvel will become popular.
How I see it is there are two ways one can break into the comic book industry by creating comics and to sell comics. Both ways involve developing a name for your-self. First, it could be done by integrating oneself with existing publishers and editors, getting hired as staff in an editorial office, and getting published by a smaller publisher. The second way is by independent publishing. Let me add, both ways are extremely difficult, can take years to getting positive results and could cost you big time money.
The encouraging news, there are other methods to get your work to the audience for less money or time. Thanks to the increase in technology, the conventional (going through the big time publishers) way of breaking into the comic book industry to sell comics is not the only way. I’ll explain.
The hardest and biggest hurdle comic book creators have to overcome is marketing their comic book or getting an audience to their comics. Once people know that your comic book exists and like the comic book, to sell comics would be a lot easier for you.
First of all and most important is that when you want to sell comics you have to have a good quality and appealing comic book to sell. Develop an appealing comic book that you know a certain group of people would like.
The next step to sell comics is to market it to those people you made the comic book for. The people whose needs your comic book is meeting. In this way you are almost certain to have a buy. You can do this by creating a website for your comic book and then refer interested people to the website to check your comic book out.
Creating a comic book and marketing it through the internet is now one of the most convenient ways to get your comic book recognized. Like I said before, once your comic book is recognized and liked, to sell comics would be natural.
Read More...
However, if a creator thinks that making a graphic novel is more convenient for him/her to start with, you can go for it under two conditions. You have the funds and a marketing plan. I say this because the marketing is the most strenuous part any creator experiences when producing a product. These days publishing your comic book doesn't have to take fifty dollars out of your pocket if you do the writing and drawing yourself. This method is known as publishing on demand. For first time comic book creators, the difficulty of marketing your comic book can be ten times multiplied.
Creators who successfully sell comics they created are usually those who have experience and background in the producing of comics. It would be easy for someone who is known for working on titles like X-men or Spiderman to come out of Marvel and produce his own comic books or sell his comics. This was the case for Todd McFarlane. McFarlane reached star status in Marvel comics. When he came out of Marvel, he was involved with other illustrators in starting Image comics. Once he published his title called Spawn, it became an almost instant hit because of McFarlane’s popularity. The thing is, not everyone who wants to create comics would get the privilege to work for a giant publisher like Marvel Comics, and also not everyone who works for Marvel will become popular.
How I see it is there are two ways one can break into the comic book industry by creating comics and to sell comics. Both ways involve developing a name for your-self. First, it could be done by integrating oneself with existing publishers and editors, getting hired as staff in an editorial office, and getting published by a smaller publisher. The second way is by independent publishing. Let me add, both ways are extremely difficult, can take years to getting positive results and could cost you big time money.
The encouraging news, there are other methods to get your work to the audience for less money or time. Thanks to the increase in technology, the conventional (going through the big time publishers) way of breaking into the comic book industry to sell comics is not the only way. I’ll explain.
The hardest and biggest hurdle comic book creators have to overcome is marketing their comic book or getting an audience to their comics. Once people know that your comic book exists and like the comic book, to sell comics would be a lot easier for you.
First of all and most important is that when you want to sell comics you have to have a good quality and appealing comic book to sell. Develop an appealing comic book that you know a certain group of people would like.
The next step to sell comics is to market it to those people you made the comic book for. The people whose needs your comic book is meeting. In this way you are almost certain to have a buy. You can do this by creating a website for your comic book and then refer interested people to the website to check your comic book out.
Creating a comic book and marketing it through the internet is now one of the most convenient ways to get your comic book recognized. Like I said before, once your comic book is recognized and liked, to sell comics would be natural.
Read More...
Pictures Of Landscaping - Using Other Peoples Ideas To Design Your Landscape.
One of the most common searches on my site is for pictures of landscaping. So I know that a lot of folks rely on photos of other peoples designs to get ideas. But at the same time, while I do have a large picture directory of other peoples projects on my site, the most common questions I receive are still related to specific shapes and design ideas.
It would seem that with as many pictures of landscaping there are to look at online, just about everyone could find a close match to their own property that could be copied. It would seem so.....if every yard was square or rectangular. However, the fact is that most yards aren’t square or rectangular. So even with the endless landscaping ideas and examples out there, it’s still highly unlikely that you’ll find an exact match to the shape of your property.
Don’t tell anyone... but even as a professional, I still use pictures of other peoples landscaping as an educational tool and to get new ideas. However, unlike most people, I don’t search for an exact idea to copy. I look for unique, creative, and new ideas and pieces of the puzzle.
Now here’s a piece of advice and the point to this entire article.
When looking at pictures of landscaping, pay attention to the details, ideas, and principles that are universal to most designs. Look for the things that are common and repeated often by different designers. These are the elements that look good because they are generally based on basic principles of art. These are the things that will probably incorporate well into your own design project regardless of shape.
Other peoples landscaping pictures are a great design tool to help you get your project done. However, instead of hopelessly searching for your exact layout, borrow several ideas from several different designs. You’ll save yourself a lot of frustration and have a much better chance of creating something unique to your own property.
Read More...Miniature Painting - Art Through the Ages
As an artist, Rebecca Latham as well as her mother, Karen, and sister, Bonnie, strive for detail in their painting. Studying with a Flemish master, they have developed their styles for painting extreme realism. Their works, both large and small, are painted “in miniature”.
Early Beginnings
Miniature painting is a traditional style of art that is very detailed, often referred to as painting or working “in miniature”. Because of their origins as illuminations, they are also painted to have as smooth of a surface as possible. (It is also suggested that miniature art may have been influenced by the medals of ancient Rome as well) Miniature art can be traced back to ancient Egyptian manuscripts on papyrus scrolls. Monks are also often highlighted for their contributions to early miniature painting with their beautifully illuminated manuscripts such as the Celtic Book of Kells and England's Lindisfarne Gospels (both of which measure around 9" x 12"). Some early manuscripts contain miniature paintings on their pages that depict beautiful arrangements of life sized flower arrangements on their borders. The history of miniature painting is also seen throughout the world in various other cultures.
Miniature painting began out of necessity for illustrating documents and manuscripts to aid those reading them during a time when many were not able to, before printing was invented. The miniature helped to convey the story and meaning of the written word. Therefore, the art of miniature painting is directly connected to the book arts. The various sized illuminations (pictures) were cut out of these books or documents so that they could be carried more easily. Later, developing from the carried miniature, portrait miniature artists were commissioned to paint small portraits – paintings that were used as we use wallet sized photographs today. These sizes of miniature paintings became popular with collectors and are often referred to as “hand held miniatures”. Portrait miniatures were painted in larger sizes as well, for example master miniaturist, Nicholas Hilliard, Peter Oliver, and Sir Charles William Ross all painted works that were of a larger size.
Sizes
Miniature painting is sometimes confused and assumed that the pieces must be small or depict subjects on a smaller scale to be considered miniature art, though this is not the case. It is helpful to keep in mind that the origins of the term "miniature" have nothing to do with a size. The word miniature comes from the terms 'minium' (used for the red lead paint used in illuminated manuscripts) and 'miniare' (Latin for 'to color with red lead').
Miniature painting is a style and technique of painting, and as such, a wall sized work could be painted “in miniature”. Authors of the Yale University Press publication, “The English Miniature” have stated that miniatures have been painted large and some works are even considered to be gigantic. Numerous faculty members of the Victoria & Albert Museum in London confirm that miniature paintings are not restricted to smallness. Larger sized miniature paintings are documented throughout history and are recognized today, though painting larger works in miniature is more difficult and time consuming than a smaller piece if the same attention to detail is observed. Miniature art is also unique in that it was and is often used on objects, such as the Russian lacquer boxes that are beautiful examples of Russian miniature painting.
Exhibitions
Today, there are miniature art societies in western society to help promote and preserve traditional miniature art and the “spirit of miniature”. Their exhibitions feature the hand held miniature paintings (or sculptures) and each exhibition has its own unique guidelines and rules for artists showing in their exhibit. Some of these rules limit the size of work to be no larger than a set square inch. Others limit the size of a subject, such at the 1/6th scale rule that a subject may not be painted larger than 1/6th of it's natural size, or the 2” rule, that an object in the painting may not exceed 2”. Scale rules were initially put in place as a guide for artists starting out in miniature art. There are also many framing restrictions for society miniature works as well. All of these rules are put into place by each show for their own individual and unique exhibitions, and do not define what miniature art is.
Artists painting miniatures throughout history were not restricted in their artwork by scale as their subjects were painted to any measurement or scale that the artist deemed pleasing to the eye and their patrons, for both manuscripts and other miniatures. Subjects that are naturally small in size, such as butterflies and insects, were painted life sized. Thus the 1/6th scale rule that is used by some shows and societies today unfortunately causes a bit of confusion to those new to the art form who commonly assume that is it a part of a mechanical criteria of the miniature's definition. The world's experts in miniatures do not recognize the rule as legitimate, and view those embracing it as unknowledgeable, and dismiss them.
The term "miniature", as it addresses miniature painting, is often confused with "miniaturize" and some miniature art exhibitions do not refer to miniature as it's initial meaning of techniques, but rather the size of the painting (miniaturized painting). They are two very separate descriptions.
Miniature painting is an art form that is very rich in history that continues today by artists from around the globe. The beautiful ornamental qualities of the miniature should be preserved whether it be the intricate large pieces, or intimate hand held works. Read More...
Early Beginnings
Miniature painting is a traditional style of art that is very detailed, often referred to as painting or working “in miniature”. Because of their origins as illuminations, they are also painted to have as smooth of a surface as possible. (It is also suggested that miniature art may have been influenced by the medals of ancient Rome as well) Miniature art can be traced back to ancient Egyptian manuscripts on papyrus scrolls. Monks are also often highlighted for their contributions to early miniature painting with their beautifully illuminated manuscripts such as the Celtic Book of Kells and England's Lindisfarne Gospels (both of which measure around 9" x 12"). Some early manuscripts contain miniature paintings on their pages that depict beautiful arrangements of life sized flower arrangements on their borders. The history of miniature painting is also seen throughout the world in various other cultures.
Miniature painting began out of necessity for illustrating documents and manuscripts to aid those reading them during a time when many were not able to, before printing was invented. The miniature helped to convey the story and meaning of the written word. Therefore, the art of miniature painting is directly connected to the book arts. The various sized illuminations (pictures) were cut out of these books or documents so that they could be carried more easily. Later, developing from the carried miniature, portrait miniature artists were commissioned to paint small portraits – paintings that were used as we use wallet sized photographs today. These sizes of miniature paintings became popular with collectors and are often referred to as “hand held miniatures”. Portrait miniatures were painted in larger sizes as well, for example master miniaturist, Nicholas Hilliard, Peter Oliver, and Sir Charles William Ross all painted works that were of a larger size.
Sizes
Miniature painting is sometimes confused and assumed that the pieces must be small or depict subjects on a smaller scale to be considered miniature art, though this is not the case. It is helpful to keep in mind that the origins of the term "miniature" have nothing to do with a size. The word miniature comes from the terms 'minium' (used for the red lead paint used in illuminated manuscripts) and 'miniare' (Latin for 'to color with red lead').
Miniature painting is a style and technique of painting, and as such, a wall sized work could be painted “in miniature”. Authors of the Yale University Press publication, “The English Miniature” have stated that miniatures have been painted large and some works are even considered to be gigantic. Numerous faculty members of the Victoria & Albert Museum in London confirm that miniature paintings are not restricted to smallness. Larger sized miniature paintings are documented throughout history and are recognized today, though painting larger works in miniature is more difficult and time consuming than a smaller piece if the same attention to detail is observed. Miniature art is also unique in that it was and is often used on objects, such as the Russian lacquer boxes that are beautiful examples of Russian miniature painting.
Exhibitions
Today, there are miniature art societies in western society to help promote and preserve traditional miniature art and the “spirit of miniature”. Their exhibitions feature the hand held miniature paintings (or sculptures) and each exhibition has its own unique guidelines and rules for artists showing in their exhibit. Some of these rules limit the size of work to be no larger than a set square inch. Others limit the size of a subject, such at the 1/6th scale rule that a subject may not be painted larger than 1/6th of it's natural size, or the 2” rule, that an object in the painting may not exceed 2”. Scale rules were initially put in place as a guide for artists starting out in miniature art. There are also many framing restrictions for society miniature works as well. All of these rules are put into place by each show for their own individual and unique exhibitions, and do not define what miniature art is.
Artists painting miniatures throughout history were not restricted in their artwork by scale as their subjects were painted to any measurement or scale that the artist deemed pleasing to the eye and their patrons, for both manuscripts and other miniatures. Subjects that are naturally small in size, such as butterflies and insects, were painted life sized. Thus the 1/6th scale rule that is used by some shows and societies today unfortunately causes a bit of confusion to those new to the art form who commonly assume that is it a part of a mechanical criteria of the miniature's definition. The world's experts in miniatures do not recognize the rule as legitimate, and view those embracing it as unknowledgeable, and dismiss them.
The term "miniature", as it addresses miniature painting, is often confused with "miniaturize" and some miniature art exhibitions do not refer to miniature as it's initial meaning of techniques, but rather the size of the painting (miniaturized painting). They are two very separate descriptions.
Miniature painting is an art form that is very rich in history that continues today by artists from around the globe. The beautiful ornamental qualities of the miniature should be preserved whether it be the intricate large pieces, or intimate hand held works. Read More...
DPI and Why - Resolution Does Matter
When I started on the internet I was a photographer and a science fiction fan. Since I had no science fiction photos of my own, I started surfing the web. After several months of looking through many Sci-Fi web sites, I realized that most of those sites used small thumb nail size prints (usually 1 inch x 1 ¼ inch or smaller). This was back in the days that a 28.8 modem was considered high speed.
The reason these thumb nails were so small was that it took so much time for the pictures to come up on the page. When you clicked on an individual thumb nail; a larger version of the picture came up (usually 4x6 or bigger), but it would take a very long time to do so.
Searching all the big images I could find; I saved the ones I liked, and brought them into Photoshop where I could compress them. I made my own site with images that measured a whopping 2 inch x 2 ½ inches, which was better than the small thumb nails I saw every where else. I quickly found that over 90% of their images were saved at 72dpi; so that’s what I did. For several years, I saved all my photos at 2 inch x 2 ½ inches and at 72dpi.
As my interest in photography continued to grow; I realized that a Sci-Fi web site might be cool but it made me no money. I needed to put up a web site of my own photos. By now I was using a 56k modem and decided my pictures needed to be bigger. When I scanned in my pictures I usually did them at 100% at 72dpi; so that all my images on line where now 4x6 in size.
After a few years my lab started offering pictures on CD. They were also 72dpi so I didn’t have to scan them in anymore. Life was good; but they used file sizes like 44 inches x 56 inches which at the time I really couldn’t figure out. I didn’t know anyone who ever printed something that big; so again I took those images and compressed them back down to 4x6 inch size.
Eventually, I started doing the same thing but saving them as 5x7 inch size. My new site (betterphototips.com) looked impressive and actually loaded very quickly. Yes, I also eventually stepped up to real high speed (1.5mbs per sec.) Life was good again; until I went back and started pursuing one of my other great loves (writing). I figured rather than just using this site as a gigantic portfolio; why didn’t I offer something for sale as well. You know the old adage “write about what you know best”? To me it made perfect sense that I should start writing about photography “how to” tips. That’s when things started to get complicated.
When I looking around at self publishing and print on demand publishing, I found that they all wanted pictures to be 300dpi or greater. This was a total shock to me. I had thousands of images ready to use, but they were all saved at 72dpi. I thought that Photoshop could save me again, so I started converting them to 300dpi but something didn’t look right. My 300dpi images looked worse than my 72dpi images. I was at a loss. Then I went back and did my research.
The reason the images on a CD from the lab are so huge (in measurement) is so you can use the images in either format. 72dpi is exactly 25% of 300dpi. If you want your 300dpi images to look as razor sharp as your 72dpi images do on line, the print has to be 75% smaller. In other words, an image that measures 44 inch x 56 inch at 72dpi would be the same quality as an image that measures 11 inch x 14 inch at 300dpi.
If you take an image that was originally 5x7 inches at 72dpi and try to convert it directly to 300dpi, it is not a pretty picture. Similar to the equivalent of the right f-stop and the right shutter speed, you have to take both factors into account! DPI and Size are forever tied together. You can not change one without affecting the other. It is much easier to make something smaller that looks good, than to try to enlarge something after the fact and try to make it look even close to the original. That being said, the best photo tip I can give new beginners today is: ALWAYS save your images larger than you expect to use. Do not waste 15 years of your life and thousands upon thousands of images that can only be used in one way. Always save large!! Read More...
The reason these thumb nails were so small was that it took so much time for the pictures to come up on the page. When you clicked on an individual thumb nail; a larger version of the picture came up (usually 4x6 or bigger), but it would take a very long time to do so.
Searching all the big images I could find; I saved the ones I liked, and brought them into Photoshop where I could compress them. I made my own site with images that measured a whopping 2 inch x 2 ½ inches, which was better than the small thumb nails I saw every where else. I quickly found that over 90% of their images were saved at 72dpi; so that’s what I did. For several years, I saved all my photos at 2 inch x 2 ½ inches and at 72dpi.
As my interest in photography continued to grow; I realized that a Sci-Fi web site might be cool but it made me no money. I needed to put up a web site of my own photos. By now I was using a 56k modem and decided my pictures needed to be bigger. When I scanned in my pictures I usually did them at 100% at 72dpi; so that all my images on line where now 4x6 in size.
After a few years my lab started offering pictures on CD. They were also 72dpi so I didn’t have to scan them in anymore. Life was good; but they used file sizes like 44 inches x 56 inches which at the time I really couldn’t figure out. I didn’t know anyone who ever printed something that big; so again I took those images and compressed them back down to 4x6 inch size.
Eventually, I started doing the same thing but saving them as 5x7 inch size. My new site (betterphototips.com) looked impressive and actually loaded very quickly. Yes, I also eventually stepped up to real high speed (1.5mbs per sec.) Life was good again; until I went back and started pursuing one of my other great loves (writing). I figured rather than just using this site as a gigantic portfolio; why didn’t I offer something for sale as well. You know the old adage “write about what you know best”? To me it made perfect sense that I should start writing about photography “how to” tips. That’s when things started to get complicated.
When I looking around at self publishing and print on demand publishing, I found that they all wanted pictures to be 300dpi or greater. This was a total shock to me. I had thousands of images ready to use, but they were all saved at 72dpi. I thought that Photoshop could save me again, so I started converting them to 300dpi but something didn’t look right. My 300dpi images looked worse than my 72dpi images. I was at a loss. Then I went back and did my research.
The reason the images on a CD from the lab are so huge (in measurement) is so you can use the images in either format. 72dpi is exactly 25% of 300dpi. If you want your 300dpi images to look as razor sharp as your 72dpi images do on line, the print has to be 75% smaller. In other words, an image that measures 44 inch x 56 inch at 72dpi would be the same quality as an image that measures 11 inch x 14 inch at 300dpi.
If you take an image that was originally 5x7 inches at 72dpi and try to convert it directly to 300dpi, it is not a pretty picture. Similar to the equivalent of the right f-stop and the right shutter speed, you have to take both factors into account! DPI and Size are forever tied together. You can not change one without affecting the other. It is much easier to make something smaller that looks good, than to try to enlarge something after the fact and try to make it look even close to the original. That being said, the best photo tip I can give new beginners today is: ALWAYS save your images larger than you expect to use. Do not waste 15 years of your life and thousands upon thousands of images that can only be used in one way. Always save large!! Read More...
Saturday, August 16, 2008
Design Your Own Website- It Is Simple
Before you embark upon the process involved when you design your own website, you must select and register a domain name. That is your site's brand name and contact name. In order to be given a domain name of your very own, you must make a yearly payment to the appropriate registering entity to obtain the exclusive right to it.
Obtaining a domain name doesn't mean you have a web site or anything close. All you have is a name. It is similar to getting yourself set up with a name for your business is the "real" world - just obtaining exclusive rights to a name doesn't mean you are totally in business. You just have a name.
A web host commonly implements numerous computers that are all linked to the Internet to allow a very large number of web pages to be broadcast all over the world. The first step in making your new web page visible is to use a reputable web host that will give your personalized website a virtual home.
Thinking of a domain name is very much like thinking of a name for your company in the physical world. Similarly, a web hosting account is the equivalent of renting an office for your company. After you have come up with a domain name and signed on with a web host, you will then need to design your own website (http://www.buildyoursite.com/) to attract visitors.
As a beginning web designer, you first need to design your own website in a attractive, and appealing manner. After you have got your basic web page posted you will be able to make any adjustments that you feel are needed. There are free web editors and commercial versions that are widely available.
When you choose to use free software, you can also learn more from a complete tutorial on the web. The step-by-step tutorial will guide you in the process of making your own web page, site map, and comment forms. It will also give you tips on the basic aspects of the software so you can continue to update and improve the site in the future.
A crucial aspect of web development is optimizing your site for search engines. This should be undertaken from the very start of the design process. In addition, there are a number of other concerns involved in developing web pages. Read More...
Obtaining a domain name doesn't mean you have a web site or anything close. All you have is a name. It is similar to getting yourself set up with a name for your business is the "real" world - just obtaining exclusive rights to a name doesn't mean you are totally in business. You just have a name.
A web host commonly implements numerous computers that are all linked to the Internet to allow a very large number of web pages to be broadcast all over the world. The first step in making your new web page visible is to use a reputable web host that will give your personalized website a virtual home.
Thinking of a domain name is very much like thinking of a name for your company in the physical world. Similarly, a web hosting account is the equivalent of renting an office for your company. After you have come up with a domain name and signed on with a web host, you will then need to design your own website (http://www.buildyoursite.com/) to attract visitors.
As a beginning web designer, you first need to design your own website in a attractive, and appealing manner. After you have got your basic web page posted you will be able to make any adjustments that you feel are needed. There are free web editors and commercial versions that are widely available.
When you choose to use free software, you can also learn more from a complete tutorial on the web. The step-by-step tutorial will guide you in the process of making your own web page, site map, and comment forms. It will also give you tips on the basic aspects of the software so you can continue to update and improve the site in the future.
A crucial aspect of web development is optimizing your site for search engines. This should be undertaken from the very start of the design process. In addition, there are a number of other concerns involved in developing web pages. Read More...
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